![]() | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Big Shots - Hub looks at quartet of new 8 MP digital cameras By Staff, posted 5/18/2004 11:12:29 AM Despite the fact that digital
cameras with a top resolution of 3 to 5 MP (megapixels) will more than
meet the needs of most amateur photographers, there will always be the
enthusiast who wants more, more, more! And, now that a new 8 MP sensor has
been introduced, manufacturers are meeting that demand with 8 MP models
that are friendlier to the pocketbook. If you're looking for high-quality
images but don't have a professional photographer's hardware budget, these
models are worth a look.
Canon PowerShot Pro1 Canon's PowerShot Pro1 is one of the more expensive 8 MP models and
it's also a slightly quirky affair. As with other high-end Canon cameras,
picture quality is excellent, and it offers a lot of manual control, but
there are a few things worth mentioning.
First, the zoom is controlled by a ring around the lens itself.
However, it's servo-controlled, which means that even though it's closer
to the zoom on an analogue lens system, the control isn't as fine. When
you move the ring, you can actually see the lens moving forward in blocky
chunks instead of smoothly and there's still a tiny lag time between
movement of the ring and the servo kicking in. The same ring is also used
for manual focus; you hold down the MF button and spin the ring, and a
magnification window pops up in the middle of the LCD to allow for more
accurate focusing.
The exposure is controlled with a jog wheel just behind the shutter;
you change the aperture by pressing down while spinning the same wheel,
which is awkward and may result in changing the exposure at the same time.
The angle of the jog wheel also makes it a bit awkward to use, especially
if you need to change settings quickly while trying to hold the camera
still.
The camera uses LCDs for both the rear viewfinder and the eyepiece. The
eyepiece screen is high-resolution, which will make it easier to use it in
conjunction with manual focus. The rear viewfinder flips out 180 degrees
from the body and spins through 270 degrees for great flexibility while
shooting, and protection of the screen against the body of the camera when
it's not in use.
In the end, the PowerShot Pro1 is a bit of a head-scratcher. It gives
you great control over your images and is in many ways a beautiful piece
of technology, but its higher price really makes you wish Canon had put a
bit more work into zoom and aperture controls.
Konica Minolta Dimage A2 Following a merger with Konica, Minolta's Dimage line of digital
cameras continues to grow. The Dimage A2 is an update of the A1 model,
sporting a near-identical design, but with better specs. The A2 features
an astounding 8 MP resolution and Anti-Shake technology, giving you image
stabilization at the touch of a button.
As with the A1, one of the nicest features with the A2 is the 7x
optical zoom, operated manually by cranking the lens with your hand --
just as you would with an old zoom lens attachment. This means instant
control over the zoom, instead of waiting for the servo, and it saves on
battery power. Manual focus control is via a ring near the body of the
camera, but it's not nearly as responsive. A macro tab locks your lens in
place for closeups.
As with previous high-end Dimage models, the A2 has an LCD viewfinder
that automatically switches to the high-res LCD screen in the eyepiece as
your eye moves towards it. Both viewfinders can tilt 90 degrees upward.
The camera ships in "aperture priority" mode by default, but you can also
override it using the menu.
The Dimage A2 features a wide variety of settings, accessible through a
number of buttons and wheels. It's a bit intimidating but it gives you
fantastic control over your images.
Nikon Coolpix 8700 Of all of the new 8 MP cameras, Nikon's Coolpix was, to our eyes, the
most striking in appearance. It looked sleek, efficient, and... well,
cool.
Some new high-resolution cameras have so many switches, dials, and
buttons that you feel like you're piloting an aircraft. The Nikon,
however, eliminates much of the complexity by putting most of the control
into a single jog wheel that changes function based on the other buttons
you're pressing. The tradeoff is spending some time getting a feel for the
menu system.
One weird design issue: the on/off switch appears around the outside of
the shutter button, which would be efficient if digital photographers
weren't already so gosh-darned used to finding the zoom control in that
same location. On the Coolpix 8700, the zoom is controlled by a tilting
button on the rear of the camera. A bit of practice may be necessary to
keep you from turning the camera off when you really wanted to zoom in.
As with most of the new high-resolution models, the Coolpix 8700 uses
an LCD monitor for both the rear viewfinder and inside the eyepiece.
Because the eyepiece resolution is comparatively low, you'll want to use
the rear viewfinder when possible, even more so because it can flip out
180 degrees from the body and spins through 270 degrees; this allows great
flexibility when shooting, and also gives you the option of protecting the
viewscreen against the body when the camera is not in use.
Olympus C-8080 Wide Zoom One of the biggest problems with any digital camera is that spontaneity
can be hampered when you have to wait several seconds for your camera to
power up before you can take a shot. Olympus' new 8 MP C-8080, though, can
go from off to first capture in two to three seconds, depending on whether
auto-focus is on. Pretty impressive!
Like other models in Olympus' C-series, the C-8080 has a mode dial on
top with a customizable My Mode setting, a jog wheel that controls
multiple settings (flash, aperture, shutter, more), and a fairly
easy-to-use menu system. It also has a customizable button beside the mode
dial, allowing you to choose one option that you use regularly, so you
won't have to drill down through menus each time you want to use it. The
camera features a wide-angle lens with a fairly responsive 5x optical zoom
controlled by a lever behind the shutter. The C-8080 has slots for both xD
and CompactFlash memory and allows you switch between the two with the
touch of a button.
Of the 8 MP models we've had a chance to look at, the C-8080 is
definitely the heaviest of the bunch and one of the largest. The grip is
quite comfortable overall, though there are a few annoyances: the
right-hand strap mount is in an awkward location that occasionally
interferes with access to the mode dial, and the barrel of the lens has a
notched ring that looks like it should be a zoom or focus ring but is
actually strictly there for decoration.
Big shots: the specs
Sidebar
Do I need 8 MP? If you only want to share images on the Web and via email, a 2 or 3 MP
camera is more than enough -- you'll need to shrink images down at that
resolution unless you're regularly printing them out as 5x7-inch prints.
If you plan to print high-quality 8x10-inch images, you'll want at least a
3 MP or even a 5 MP camera. You'll only need 8 MP if you want
professional-quality images for prints larger than 8x10 inches.
If you don't plan to print 11x17-inch photos on a regular basis,
chances are you don't need an 8 MP camera, especially at the current
premium pricing.
Shopping tip
URL for this story: | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||